Mueller has carefully and skillfully used encaustic, fresco, oil, watercolor, and acrylic in this piece of artwork. He engaged the use of mixed motifs in coming up with this work. This combination of encaustic, fresco, oil, watercolor, and acrylic produces a dizzying array of references on the paintings. The mixture of encaustic, fresco, oil, watercolor, and acrylic gives some striking allusions, contrasts, and brilliant picture images. These carefully constructed images of pictorial compositions have spatial and chromatically arranged colorful designs with awesome characteristics that attract the viewers and audience at a glance.
The use of watercolor and acrylic make Muller’s paintings appear symmetrical and often hard-edged. The paintings portray some aura-ringed images which hover at varying atmospheric depths. This shows graduated and glowing colors. In fact, the curvaceous silhouettes of these paintings show some elements of Buddhist shrines, lotus blossoms, mosque domes, and meditating Bodhisattvas. Muller used acrylic sparingly to produce patterns with latticed and stripped shapes. On the other hand, he used oil artistically to come up with vaporous backgrounds. Often, the vaporous backgrounds show some horizontal, diagonal, perpendicular crossings or fuzzy bands. The encaustic and fresco used in Muller’s artwork give the paintings characteristics of bright and some blurry plaids.
In fact, the encaustic and fresco effects of the paintings blend well with the oil color used in the pictures. This combination of different elements gives some aesthetic value to the pieces of artwork. Muller skillfully used watercolor and acrylic to portray flatness and pure abstraction notion. This notion gives spiritual and symbolic meanings to these abstract paintings and forms. In addition, the watercolor used on the rectangle makes it fluid, textureless, and crystalline.
Renaissance humanism was reflected in the fifteenth and sixteenth-century European art as a result of the attempt and desire to come up with some of the best creative artworks in the new era. This is part of the great works that the ancient empires of Rome and Greece had started to attain humanity. In fact, the physical beauty-representation in artwork brings human beings closer to their God. Indeed, the humanist patrons of the fifteenth century championed and commissioned the European artists to begin working on artworks on classical themes. This was against the medieval artwork standards that focused on Christian values and subjects. The fifteenth and the sixteenth European artworks on renaissance humanity focused on the natural world.
These pieces of artwork draw a lot of emphasis on human forms. The human forms were portrayed as God’s beautiful creations, which demanded a lot of respect. This made the artist’s study anatomy so that they could paint and curve the human body beautifully. Consequently, European art portrayed human figures accurately. In essence, the artistic sculptors made people fall in love with the real human form. And these paintings portrayed some elements of civilization.